Dhad
Dhad is a small percussion instrument of the Damru style. Held in one hand, it is struck on either side, with the other hand holding the skinned sides vertically or horizontally. This instrument has been very popular with the Dhadies, who sing traditional ballads of brave warriors and heroes drawn from history.
Chimta
This is a percussion twang-type instrument used in Punjab and neighbouring areas. The tradition of playing it with songs goes back to the Naths or Jogis. This instrument consists of two long, flat pieces of iron with pointed ends, and rings mounted on it. The joint is held in one hand, while the two parts are struck with each other to produce tinkling sounds. Chimta has become popular in professional singing and devotional music in temples.
Sarangi
Sarangi is a popular bowed instrument in Punjab. It is wooden instrument about two feet long, cut from a single log covered with parchment. A bridge is placed in the middle. The sides of the Sarangi are pinched so as to bow it. The instrument usually has three major strings of varying thickness, and the fourth string is made of brass, used for drone. Modern sarangis contain 35-40 sympathetic strings running under the main strings. This is used for accompaniment by artists and is an ideal instrument for producing all types of Gamks and Meends.
Bugdhu
This is a stringed instrument made of dried gourd (Ghia). A piece of skin is mounted on one side of the hollowed gourd while the other side is kept open. A gut string (Tand) is crossed through the centre of the skin and a small piece of wood is tied to the end of the string, which passes through the body of the gourd. To maintain a drum-like rhythm, the string is stretched or loosened while playing.
Algoza
Algoza consists of a pair of wooden flutes. It is also called Jori (a pair) and is played by one person using only three fingers on each side. Folk singers of Punjab use this in their traditional legend singing like Mirza, Chhalla, Jugni etc. The instrument is also used as accompaniment with folk dances. |